Η συμβολή της επεξεργασίας εικόνας στη μελέτη των χρωστικών

dc.contributor.author	Αλεξοπούλου - Αγοράνου, Αθηνά	el
dc.contributor.author	Βουρβοπούλου, Χρύσα	el
dc.contributor.author	Περδικάρη, Ελένη	el
dc.date.accessioned	2015-03-03T16:43:30Z
dc.date.issued	2015-03-03
dc.identifier.uri	http://hdl.handle.net/11400/7356
dc.rights	Αναφορά Δημιουργού-Μη Εμπορική Χρήση-Όχι Παράγωγα Έργα 3.0 Ηνωμένες Πολιτείες	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/us/	*
dc.subject	Βυζαντινές εικόνες
dc.subject	Χρωστικές
dc.subject	Επεξεργασία εικόνας
dc.subject	Υπέρυθρο φάσμα
dc.subject	Byzantine icons
dc.subject	Coloring
dc.subject	Image processing
dc.subject	Infrared spectrum
dc.title	Η συμβολή της επεξεργασίας εικόνας στη μελέτη των χρωστικών	el
heal.type	bookChapter
heal.classification	Fine Arts
heal.classification	Painting
heal.classification	Τέχνη
heal.classification	Ζωγραφική
heal.classificationURI	http://id.loc.gov/authorities/subjects/sh85008324
heal.classificationURI	http://id.loc.gov/authorities/subjects/sh00006877
heal.classificationURI	N/A-Τέχνη
heal.classificationURI	N/A-Ζωγραφική
heal.contributorName	επιμ. Βασιλάκη, Μαρία	el
heal.dateAvailable	10000-01-01
heal.language	el
heal.access	forever
heal.recordProvider	Τεχνολογικό Εκπαιδευτικό Ίδρυμα Αθήνας.Σχολή Καλλιτεχνικών Σπουδών.Τμήμα Συντήρησης Αρχαιοτήτων και Έργων Τέχνης	el
heal.publicationDate	2002
heal.bibliographicCitation	Αλεξοπούλου-Αγοράνου, Α., Βουρβοπούλου, Χ. και Περδικάρη, Ε. (2002) Η συμβολή της επεξεργασίας εικόνας στη μελέτη των χρωστικών. Στο Βυζαντινές εικόνες: τέχνη, τεχνική και τεχνολογία. Ηράκλειο: Πανεπιστημιακές εκδόσεις Κρήτης. σσ.267-279.	el
heal.abstract	The following study is an attempt to identify pigments used in Byzantine and Postbyzantine painting, using optical microscopy combined with image- processing techniques, in both the visible and infrared spectra (380-1200 nm). The important step for the methodology of this study is the grey level measurements of standard reference samples of pigments (titanium white, lead red, English red, yellow ochre, burned sienna, malachite, verdigris, copper green, green earth, cobalt blue, ultramarine light, indigo, ivory black), suitably prepared for examination through an optical (metallographic) microscope in both visible and infrared spectra. The images recorded by an infrared CCD camera, sensitive up to1200 nm, were put through the digital image analysis software (Image Pro Plus program) and after several settings (as brightness and contrast), grey level measure¬ments were obtained. It should be noted that the basic stage in the measurement procedure is the creation of a reference grey scale, in order to calibrate the given measurements, so that the final results are comparable and can be reproduced. There are two separate measurements for each sample - one using the visible and one using the infrared spectrum - and the data wfere plotted against the measurements of reflectance of the same sample pigments, taken for reasons of initial reference with a spectrophotometer. The results obtained showed that the methodology used for the measurement of reflectance in the visible area of the spectrum gave results comparable to those taken from a classic spectrophotometer. The infrared measurements showed greater deviations from the expected results, but these can be attributed to the non-specialized optical equipment that was used. The reports could be especially valuable taken from the infrared area of the spectrum because they constitute an additional element for identification.	en
heal.sponsor	Ιδρυτική δωρεά παγκητικής ενώσεως Αμερικής	el
heal.publisher	Πανεπιστημιακές εκδόσεις Κρήτης	el
heal.fullTextAvailability	true
heal.bookName	Στο Βυζαντινές εικόνες: τέχνη, τεχνική και τεχνολογία	el