Semantic Representation and Location Provenance of Cultural Heritage Information

dc.contributor.author	Padfield J	en
dc.contributor.author	Kontiza, K	en
dc.contributor.author	Bikakis, A.	en
dc.contributor.author	Vlachidis, A	en
dc.date.accessioned	2019-02-16T18:33:07Z
dc.date.available	2019-02-16T18:33:07Z
dc.date.issued	2019-02-16
dc.identifier.uri	http://hdl.handle.net/11400/20230
dc.rights	Αναφορά Δημιουργού-Μη Εμπορική Χρήση-Όχι Παράγωγα Έργα 3.0 Ηνωμένες Πολιτείες	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/us/	*
dc.title	Semantic Representation and Location Provenance of Cultural Heritage Information	en
dc.title	the National Gallery Collection in London.	en
heal.type	journalArticle
heal.identifier.secondary	http://www.cidoc2018.com/sites/default/files/CIDOC2018_paper_155_0.pdf
heal.language	en
heal.access	free
heal.publicationDate	2019
heal.bibliographicCitation	Padfield J, Kontiza K, Bikakis A, Vlachidis A. Semantic Representation and Location Provenance of Cultural Heritage Information: the National Gallery Collection in London. Heritage. 2019; 2(1):648-665.	en
heal.abstract	This paper describes a working example of mapping cultural heritage information and data from the National Gallerycollectionin London.The paper discusses the process of semantically representing and enriching the available cultural heritage data, and reveals the challenges of semantically expressing interrelations and groupings among the physicalitems, the venueand the available digital resources.The paper also highlights the challenges in the creation ofthe conceptual model of the National Gallery asa Venue, which aims toi) describe and understand the correlation between the parts of a building and the whole; ii) to record and express the semantic relationships among the building components with the building as a whole; and iii) to be able to record the accurate location of objects within space and capture their provenance in terms of changes of location. The outcome of this investigation is the proposed fully CIDOC-CRM compliant structure,thathas been developed during the CrossCult project, the CrossCult Venue Ontology, whichattempts to model the spatial arrangements of the different venues that participate as demonstrators in the project:an indoor gallery,asmall museum, four open air archaeological sitesand two cities.	en
heal.sponsor	This publication is part of a project that has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 693150	en
heal.journalName	Heritage	el
heal.journalType	peer-reviewed
heal.fullTextAvailability	true